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Here is an article which questions the aesthetics of colonialism which the author thinks some Egyptologists engage in.
quote: Among the western archaeologists working in Egypt a least a few have a particular taste for early 20th century, colonial-style attires, both in and out of the field. You thought pith helmets — one of the most easily recognizable symbols of British colonial might — and Crocodile Dundee-esque outfits were a thing of the pre-Nasser past? Well, you’re wrong. Not only are such outfits still deemed unproblematic by many current archaeologists, but some of them also willingly advertise their “vintage” tastes on social media.
One example which is mentioned is Dr Colleen Manassa Darnell and her public social media outlets under the name "Vintage Egyptologist". Her social media has become very popular and she has many followers.
quote: VE does provide high quality, accurate historical content, and the Darnells are doing so — through Instagram captions, Youtube videos, and cruise tours — very eloquently. What interests us here is that this Egyptological content is delivered using a so-called “vintage” packaging, which transports us to the realm of The Great Gatsby meets The English Patient.
quote: Less than a handful of Egyptian workers (three of whom are referred to as “our Egyptian family” in one instance) appear in the pictures. The few archaeological workers who do appear (in subaltern roles) are named. Apart from a couple of early 20th-century hotels (whose presence seems to be warranted because they are remnants of a “glamorous past”), no modern Egyptian settlement is represented.
If these scholars engage in such aesthetics does that mean they also are colonialist minded and support colonialist values?
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Egyptology is rooted in colonialism, so whether Egyptologists engage in colonial cosplay or not is irrelevant. And Egyptologists who do employ a more critical approach, like talking about decolonizing the discipline, can also end up supporting neocolonialism, although perhaps unwittingly.
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