posted
There is a scene I have seen as a relief on the end panel of stone sarcophagi in the museums in Khartoum and Cairo and at several places in between.
There are a male and a female figure (could be gods or humans) standing facing each other in profile in at the sides of a roughly square frame. Each has both hands on a long rope except that it isn't a rope but the stem of a plant with leaves on it which look to me like waterlily/lotus leaves. In the space between the two figures we see a stylised representation of the plant stem and leaves. At the top of this representation a knot in the stem is shown. It is a simple knot (I think a reef knot in English English, a square knot in US English) and is shown before being pulled tight as if it were a diagram to explain how to tie the knot.
Can anyone identify and explain this scene? I found it intriguing when I saw it and even more so having come across a reference in ancient Greek verse to Cretans "binding their hands with flowers".
Thanks for any help you can give.
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quote:Originally posted by richardporson: There are a male and a female figure (could be gods or humans) standing facing each other in profile in at the sides of a roughly square frame. Each has both hands on a long rope except that it isn't a rope but the stem of a plant with leaves on it which look to me like waterlily/lotus leaves. In the space between the two figures we see a stylised representation of the plant stem and leaves. At the top of this representation a knot in the stem is shown. It is a simple knot (I think a reef knot in English English, a square knot in US English) and is shown before being pulled tight as if it were a diagram to explain how to tie the knot.
Can anyone identify and explain this scene? I found it intriguing when I saw it and even more so having come across a reference in ancient Greek verse to Cretans "binding their hands with flowers".
Thanks for any help you can give.
The Sema Symbol Examples
Bark stand
Sandstone Naga, Temple of Amun, sanctuary, no. 104/1 Kushite (Meroitic), first century AD, reign of King Natakamani and Queen Amanitore
Left picture: The front side shows the falcon-headed Horus (left) and the ibis-headed Thoth (right) binding two plants, the papyrus and the lotus, around the central hieroglyphic emblem 'sema' (union). The papyrus represents Lower Egypt and the lotus represents Upper Egypt. Above this sign two cartouches are placed, crowned by a sun disc and double ostrich feather. The left (northern) cartouche contains the name of King Natakamani, while the right (southern) one the name of Queen Amanitore. Both are written in Meroitic hieroglyphs.
Right picture: Below, two Nile gods are binding two plants, the papyrus and the lotus, around the central hieroglyphic emblem 'sema", with the queen's second Egyptian name Merikara on the south, and the kings's second Egyptian name Kheperkara on the north.
The unification of Upper and Lower Egypt, symbolized by the sema motif, is the emblematic sign of political and cosmic order under the control of Kushite kingship.
In this Egyptian symbol we see the Sema bound with two plants, the papyrus and the lotus.
King Khafre seated Fourth Dynasty 2576-2551 BCE
The king sits on a backless throne with the sema symbols.
Hapi
Hapi was also both god of Upper and Lower Egypt - this duality was shown by having twin Hapi deities, one wearing the papyrus of the north (Lower Egypt) as a headdress, the other wearing the south's (Upper Egypt) water lily (lotus) as a headdress.
Other Names: Hapy, Hapr
Patron of: the Nile and its inundation.
Appearance: A fat bearded man with breasts, wearing a crown of reeds and lotus blossoms.
Description: Hapi was the personification of the Nile. He was believed to dwell in a great cave near the Cataracts. There he was aided by a retinue of crocodile gods and frog goddesses, who ensured that the Nile ran cool and clear. Each year he would increase the Nile so that it flooded, depositing rich soil on the farmlands.
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