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When analyzing Christian imagery, it is easy to see that Europeans made a complete break from the original Black Catholic Church when during the 1400s-1500s, Albino Catholic priests like Jan Hus, Martin Luther, John Calvin, and Huldrych Zwingli, each contributing a part, were finally able to create several Christianity derived religions collectively called “Protestantism” which would function as the White mans religion.
So obviously Europeans have the least fear of retribution from God for lying about the appearance of Jesus, the Hebrews, and all other Black persons - assuming that they actually believed in the Christian God.
The Roman historian Jordanes, in his book on the history of the Goths, called "Getica" (circa 551 A.D) gives this account:
(131) The Visigoths, who were their other allies and inhabitants of the western country, were terrified as their kinsmen had been, and knew not how to plan for safety against the race of the Huns. After long deliberation by common consent they finally sent ambassadors into Romania to the Emperor Valens, brother of Valentinian, the elder Emperor, to say that if he would give them part of Thrace or Moesia to keep, they would submit themselves to his laws and commands. That he might have greater confidence in them, they promised to become Christians, if he would give them teachers who spoke their language.
But whats really interesting is the way the Eastern Christians (Greeks and Russians) handled the transition from the original Black Christianity to the Usurping White Christianity.
They didn't want to betray their true original origins as usurpers: but it appears from the artwork that they were afraid to piss-off God by making everybody White, so they compromised!
They made the original Christians Black colored with White features.
HERE IS HOW EUROPEANS DEPICT CLEMENT:
BUT IT REALLY GETS FUNNY WITH ARTWORK LIKE THESE TWO.
WITH THESE TWO, IS CLEAR THAT THE ARTIST WAS CONFLICTED, SO HE DID BOTH KINDS!
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From Mali's thread "New Image of ancient Moors"
The Menologion of Basil II (also called Menologium of Basil II, Menology of Basil II) is an illuminated manuscript designed as a church calendar or Eastern Orthodox Church service book (Menologion) that was compiled c. 1000 AD, for the Byzantine Emperor Basil II (r. 976–1025). It includes 430 miniature paintings by eight artists. It was unusual for a menologion from that era to be so richly painted. It currently resides in the Vatican Library (Ms. Vat. gr. 1613). A full facsimile was produced in 1907. (That means that a copy was Whitenized and shown to the public at that time). The "White" Catholic church holds many terrible secrets.
MS. E. D. Clarke 6 Summary Catalogue no. 18368 Summary of contents Four Gospels. Language Greek Origin Byzantine, Constantinople (?) Date c. 1270 - 1280 Material parchment
St. John.
MS. E. D. Clarke 10 Summary Catalogue no. 18372 Summary of contents Four Gospels. Language Greek Origin Byzantine, Constantinople Date 11th century, fourth quarter Material parchment
St. Matthew.
MS. E. D. Clarke 34 Summary Catalogue no. 18395 Summary of contents Alain Chartier, Livre d'espérance; Le Curial; La Complainte; Libelle de paix. Language French Origin French, Anjou Date c. 1460 Material parchment
Miniature with author reading in his room, wearing fur-trimmed red gown and hat. Fine perspective of room with bed, towel rail, book shelves etc. Outside, fields, swans on lake, castle and hill. Acanthus leaf and flower surround border.
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