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SET and the Indo-European Migrations
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[QUOTE]Originally posted by Doug M: [QB] Actually it is based on a sociology and history as seen in the wisdom and symbolism of ancient Egypt. MAN makes god in his own image. That is the tradition and reflects the fact that the socioeconomic and political dominance of a nation or peoples can only be established through a coherent belief in the right to rule of the nation or people in question. You have to see yourself in the images of the gods in order to establish your right to rule . Historically, much of this form of socio religious political and national identity came from Egypt. Along with it was the identification, by the Egyptians, of themselves with the black earth, the black seed and the original black man of Africa. This concept was so obvious overwhelming and powerful that it was adopted by those from outside Africa as Christianity and Islam. These religions sought (and still seek) to establish the domination of one ethnic group over others through the religion that establishes a right to rule for themselves, by which others do not question their inherent claims to greatness, glory and empowerment because of psychological indoctrination into the religion. This also allows these people to then go forth in the name of the right to rule and conquer others, cloaking their injustices and oppression under the cloak of freedom, progress, democracy and religion. But in all actuality it is just an empire built on greed and aiming to become the permanent new Reich on earth, controlling and dominating all others worldwide. Again, the idea of Set is symbolic and represents any people, nation or event that is a threat to the black nation or KMT, where the black nation is symbolized by the black seed of the black earth and the trinity of (black) man woman and child, the basis of the nation. This is inherently political, anthropological, ethnic, nationalistic and economic all in one. Therefore, the actions of those who wish to build a national identity and culture for themselves ON TOP of everyone else MUST DESTROY THOSE who seek independence and greatness for themselves. They ALSO must destroy and denigrate the image of the black man, woman and child as they are the original seed of the earth, mother nature, father earth and the risen sun. Hence, every white civilization that has come down the pike has been inherently against the rise of the black nation both symbolically and literally as a threat to their very existence and way of life. As posted elsewhere: Actually, Scorpion is correct. Racist industrial nationalist white supremacists are only doing what they believe is best to maintain themselves and their interests. They are against the black seed and black madonna and will do everything to destroy the black man, the black family and black national identity. The whole irony here is that white supremacy is based on knowledge, traditions and customs that originated IN AFRICA among black people. The first place to identify with the black madonna or black mother of the earth was Africa and evidence for such is found in Egypt. In Egyptian cosmology, the Nile was the connection to the mound of creation, through the life giving black soil, which was the mud or clay from which god made mankind. This symbolic connection was reinforced through the national identity of the nation itself, which reflected the people and their connection to Africa. After times of crisis or periods of foreign control, the new dynasties always portrayed the new queens and kings in black, representing the replenishment and restoration of the nation, the people and the culture from the South. The concept of the black madonna comes from the various trinities that developed around the sacred mound of creation, which was always a central feature in most temples, within the holy of holies. During sacred processions and festivals, these symbols of man, woman and child and hope for eternal life through the seed or risen "son" (sun), were paraded throughout the surrounding area. Within this trinity, the male represented Geb, Min or Osiris, who are symbolic of the seed of the earth the ithyphallic representation of male reproduction and semen. The woman is symbolic of mother nature, nurturing and child birth, often symbolized by a golden yellow color representing nature itself and the sky. This symbolism is seen in Nut who takes the seed from Geb the earth and gives birth to new life through pollination, by spreading the seed through the winds of the earth and bringing forth new flowers. These flowers represent the risen birth and new life that is victorious over death and darkness, hence this is Heru, the hero, the one who conquers the darkness and avenges the death of father earth, at the hands of desertification and the season of dryness. Therefore, the king and queen became symbolic of the renewal of the black nation, the health of the people and their wealth and prosperity as tied to the management of the seed(agriculture) and the distribution of food, water and manufactured products (industry). All of these festivals involved carrying palms, various types of flowers, trees and bushes all symbolic of the risen earth, the royal family and the life of the country, symbolized by the gods. Examples of such trinities are Ausar, Auset and Heru; Mut, Amun, Khonsu;Satis, Khnum, Anuket; and Sopdet, Sah and Soped. [QUOTE] [b]The Festival of the Fertility god Min[/b] This festival also opened a new season and was carried out in the ninth civil month, although its date was set according to the moon. It is perhaps not surprising that this fertility ritual is also known from Egypt's most distant past, though most of what we know of the festival is from sources that date from the New Kingdom onward. In this celebration, the king cut the first sheaf of grain, which symbolically supported his role as life-sustainer of his people. It should be noted that this festival, associated with Min, was clearly one of fecundity and the virility of rebirth, and therefore the third festival of the year focusing on birth, with the agricultural aspect predominating. [b]Beautiful Feast of the Valley[/b] Another annual event for Egyptians to look forward to was again centered in Thebes, allowed the living to commune with their loved ones in the afterworld. It was held in the tenth civil month. Though the celebration can be traced back to the Middle Kingdom, it became important during the New Kingdom. The festivities began at Karnak temple on the east bank where the sacred image of the god Amun was placed atop a ceremonial boat and carried down to the Nile by the priests, very similarly to how it occurred in the Opet Festival. Eventually, the image of the god Amun was accompanied by the images of his wife Mut and their child, Khonsu. At the riverside, the shrines were loaded onto barges and towed across the Nile to the west to visit the pharaoh’s mortuary temple and the temples of other gods. This journey was attended by a very joyous and colorful procession of Egypt’s citizens. Acrobats and musicians entertained the masses of people who participated, while women played sistrums—a kind of rattle instrument that made a soft jangling sound like the breeze blowing through papyrus reeds. This sound was said to soothe the gods and goddesses. The procession ended at the necropolis that was filled with tomb chapels where the ancient people honored their dead relatives by performing various rituals for them. Every family wealthy enough to afford a chapel entered the sanctuary and made offerings of food and drink for their dead. (Archaeologists have uncovered many offering tables and bowls that you can see in any major museum collection.) The celebrants themselves ate heartily and drank a lot of wine until they entered what was believed to be an altered state (including intoxication) that made them feel closer to their departed loved ones. Though certainly different in many ways, these private affairs parallel some present customs of modern Egypt and other cultures in which people celebrate a holiday on the grass of cemeteries in which their dead ancestors are buried. [/QUOTE][IMG]http://www.touregypt.net/featurestories/festival5.jpg[/IMG] [IMG]http://www.touregypt.net/featurestories/festival3.jpg[/IMG] From: http://www.touregypt.net/featurestories/festival.htm A good example of all of this can be seen in the early kings of the 11th and 18th dynasty. Mentuhotep 1st surrounded himself by women from the south, whom many European scholars have identified as being negresses and painted black. Some of them may have indeed come from the region of modern day Ethiopia. He initiated the construction of a mortuary complex in Dier el-Bahri and built many temples at Aswan. The connection between the two sites is symbolic. His mortuary complex was either topped with a mound of earth and trees or a pyramid, both of which represent the mound of creation. His temples at Aswan were a celebration of the primordial mound of the black earth, which is the symbolic connection of Egypt to inner Africa, through the Nile and the black soil and black man of the soil. And he surrounded himself with black women who were priestesses of hathor symbolizing the mother of the new king and the suckling of the child and the black mother of the earth, the black Madonna. It is clear here that the black woman and the black seed of the earth represent the [b](re)birth of the nation[/b] in Egyptian cosmology. (make note of this for later) Mentuhotep representing the risen seed of the earth suckling on Hathor(mother nature): [IMG]http://farm3.static.flickr.com/2285/2222972630_cc4234b395_b.jpg[/IMG] From: http://www.flickr.com/photo_zoom.gne?id=2222972630&size=l Black queeens, princesses and consorts from the time of Mentuhotep: [QUOTE] Henhenit: She was the wife of Mentuhotpe II and was buried in a vast mortuary complex of the King at Deir El-Bahri. Neferu: She was the Chief wife of Mentuhotpe II. Kawit: She was a royal companion of Mentuhotpe II. Her royal tomb contains beautiful and elaborate scenes of her toilet rituals! Her sarcophagus describes her as the "Sole Favorite of the King". Tem: She was a wife of Mentuhotpe II and believed to be the mother of Mentuhotpe III. Her tomb is one of the largest female grave sites ever found.The sarcophagus in her burial chamber was made of alabaster and sandstone. Sadek:She was a lesser wife of Mentuhotpe II. Ashait: She was a wife of Mentuhotpe II. She was buried with the King in his eleborate mortuary complex at Deir El-Bahri. Her tomb reliefs identify her as an Ethiopian. On her coffin, there was a beautiful hymn inscribed about the four winds which were brought to Egypt by mythical maidens. Nubkhas: She was a consort of Mentuhotpe II. Her tomb was discovered at Deir El-Bahri enclosed by boulders and rubble, probably the result of a landslide in ancient times. Kemsit: She was a royal companion of Mentuhotpe II. She was buried in the Kings' mortuary complex and was described on her sarcophagus as 'Sole Favorite of the King" she shared this title with many other consorts that were buried there. Neferukayt: She was a wife of Mentuhotpe II and the daughter of Princess Nebt who was the heiress of the Elephantine (an island in the Aswan). She was a highly educated woman and kept and extensive library of papyri and artworks in a huge museum.Imi:In some records, she is called Yem. She was a wife of Mentuhotpe III and the mother of his son, Mentuhotpe IV. Amunet: In some records she is also called Amuniet. She was a consort of Mentuhotpe II, and was buried in his royal mortuary complex at Deir El-Bahri. [/QUOTE]From: http://www.angelfire.com/realm2/amethystbt/Egyptqueenslist.html Now all of this symbolism of the black madonna became Isis, which was carried into Europe by the Romans. This became the foundation of the Christian church. In Europe, the contact with Africa and older cultures of the Mediterranean meant that many of the older traditions of Isis and the trinities of the Nile are preserved in European traditions. Many of these are found in Spain, France and Italy. Spain is notable because Spain's traditions are based heavily on the historic interaction with cultures from Africa and the East. [QUOTE] Although Negro freedmen and slaves lived on the fringe of Sevillian life socially and economically, they enjoyed full membership in the church. True religious conversion among newly baptized Negroes was unusual, but by the second generation many had become sincere and pious Christians. The very willingness of Negroes to become Christians and to remain faithful to their new religion facilitated their popular acceptance. In addition, their incorporation into the social and ritual activities of the church accelerated the process of their Hispanization. Through their parish churches and their confraternities slaves and freedmen took part in all the city-wide religious celebrations of the period. The Negro and mulatto brotherhoods marched in full regalia in the many religious processions, including those of Holy Week. On one such occasion, the dress and the insignias of the Negro brotherhood were [189] so elaborate and costly as to draw censure from the clergy. In another instance, according to the chronicler Ortiz de Zúñiga, a member of the Negro confraternity sold himself as a slave in order to cover the high cost of his group's participation in a religious festival. Negro performers also took part in the autos connected with the festival of Corpus Christi. In 1590 the city government paid eight ducats to Leonor Rija, a mulatto, to appear on a float in the Corpus Christi celebration and to sing, dance, and play the guitar, together with four other mulatto women and two men. [/QUOTE]From: http://libro.uca.edu/aristocrats/aristocrats4-2.htm Holy Week Procession in Spain (note the Moorish garb and the obvious similarities to the images of the dieties (black madonna, holy family/trinity and risen son) as seen in Egypt): [IMG]http://upload.wikimedia.org/wikipedia/commons/thumb/8/87/Domingo_de_ramos_astorga.jpg/800px-Domingo_de_ramos_astorga.jpg[/IMG] [IMG]http://upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Capuchones.jpg/702px-Capuchones.jpg[/IMG] From: http://en.wikipedia.org/wiki/Holy_Week_procession Such traditions are a continuation of the traditions concerning the national identity of the people through the religious symbols of the land and the institution of kingship. This connection was not lost on the upper classes and was a reason why such festivals and processions were important to solidifying and maintaining the control of the monarchy and political system over the people. Again, this reflects the idea of the seed and life as being the basis of the national identity of the country. But again, the much of the eastern origin of this tradition was not lost on the members of the higher echelons of the guilds and confraternities created among the various rulers and elite in European society. But of course they had to twist the origins and cover it up in order to reinforce their rule. In fact they had to destroy that which they feared most. And thus it comes full circle. The symbolism and garb of these European societies gave rise to the secret Masonic orders and guilds that became dominant in Europe and America. Part of the traditions of these groups is the racism that stems from the desire to REVERSE the historical truth of the black man and woman and the impact of blacks on world history. In fact, these societies endeavored to create a world wide system that would reinforce and mold a new identity based on white supremacy and the destruction of the seed of the earth, the black man and woman, the black family and erase the hopes for the re birth of the black nation. This laid the foundation for the [b]birth of the nation[/b] based on white supremacy, which is always centered around the fear of the black mans seed from taking root and growing the black nation, which is inherently a threat to white supremacy and an identity based on white nationalism. This is the seminal moment for the reinforcing the goals of white nationalism in America, which aimed to turn back the rise of blacks after the civil war, by creating a social system of white supremacy to keep blacks from building a nation for themselves. It is also symbolic as birth of a nation is an inherent reference to the ancient symbolism of the black madonna and the birth of the black seed and black nation Kmt. The garb and symbolism reflects this ancient legacy, which came from blacks, but not ironically, was being used to destroy blacks. This of course became the basis of the identification of the black male sex organ as a symbol of the biggest threat to the white nation. Hence, America and Europe became the arch enemy of black National consciousness all over the world, as they sought to mold the national, cultural and economic identity of civilization world wide into one that reinforced the right to rule of whites over all others, while seeking out and destroying the black seed of the earth, the original black man, wherever he was found on the planet. Of course the whole idea that these secret guilds worship the anti christ is because they are willing to kill the "risen sun" and manna of heaven grown from the seed of the black earth and earth mother, the black Madonna. But this is all an extreme form of racist nationalism that gives rise to all the "isms" in Europe. It also represents an attitude that is ANTI life and ANTI freedom and prosperity in its most extreme form and a threat to all life on the planet. LITERALLY. The absurdity and silliness of all of this is that the greatest symbols of white supremacy COME FROM BLACK FOLKS and are an INHERENT reflection of the wisdom of ancient black Africans. Note the cross in a circle on the Klansman's robe is another ancient symbol from KMT, which symbolized the black Nation. Yet here you have it as a symbol of white supremacy. This and many other symbols, including the dress, are taken directly from blacks. [IMG]http://upload.wikimedia.org/wikipedia/commons/c/c2/Birth-of-a-nation-poster-color.jpg[/IMG] From: http://en.wikipedia.org/wiki/The_Birth_of_a_Nation Egyptian symbol for village or town with crossroads and the nation: [IMG]http://hieroglyphicsonline.com/sitebuilder/images/d_nwt-57x55.png[/IMG] From: http://hieroglyphicsonline.com/Flash_Cards.html This is the most potent threat to white supremacy(which becomes SET personified): The regrowth and regeneration of the black nation from the seed of the black earth along with the peace, prosperity and plenty for its people. [IMG]http://farm1.static.flickr.com/175/470398982_99b0b1060d_b.jpg[/IMG] From: http://www.flickr.com/photos/manna4u/sets/72157600115942057/ Set being death, destruction, famine, war and hunger and the obliteration of the black seed. Bottom line it is all about a national identity, power and control over the minds of the people and establishing the right to rule among the masses. [/QB][/QUOTE]
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