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DO THESE RUSSIAN ICONS SHOW BLACK PEOPLE?
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[QUOTE]Originally posted by Egmond Codfried: [QB] [b]OLD RUSSIAN ICONS ARE SYMBOLS OF BLACK SUPERIORITY[/b] The whole thing boils down to how we define 'Black.' What is Black, who is Black and why do we bother? Just a black skin tone is of little meaning and interest. A Black identity and Black identified domination of a culture or a nation or a state has much more meaning. The two books by Theunissen, a great icon-specialist, speak about the pigments used, and he mentions browns, blacks and reds, mixed up with egg-yolk. In my first posting I point out the white robes, to forestall the ‘they have oxidized’ bullshit. But what irritated me forever was that no mention is made why these people look black, to anyone who has functioning eyes. This is something which goes on in most eurocentric works: they dutifully print personal descriptions which say 'black or chimneysweep or basané (brown black), swarthy, very dark,’ but then merrily precede and print a so-called 'portrait' of a blond, blue eyed noble or royal person. Or they print a black portrait but do not explain why Madam so and so or Chevalier so and so looks black of skin! I have decided that this is a PROBLEM! Then what they seem to think is that there are 'True Negroes' and 'African Caucasians.' So even if we would get hold of a pitch black portrait of say one Charles II Stuart 'The Black Boy,' and looking pitch black, they still can say 'Oh, he is a Caucasian, who happens to look black, but he is just white, honey. Go back to sleep! Massa has it al figured out for you, little Sambo.' What these two book just mentions but do not explain is that these icons are derived from Fayoum portraits. I guess by suggesting this they want to tell us these people are not Black but Caucasian. The production of Fayoum portraits ended about 400AD when embalming was declared a heathen practice. The Black Madonna's from Europe are just part of this style of religious images. But because of the schism between east and west in around 1054, the western church seems to have abandoned this art form. Now, if black researchers would just stick together we could unearth the whole truth and see if they are again cutting Blacks out of the picture, so to speak. To me afro centrism is also about finding Blacks in the Diaspora and giving them their true place in history. Right now I really want to know if the Africans who entered Europe 40.000 years ago really became extinct. I do not believe the crap that they suddenly turned white, as there are many sources which say that the whites came out of Asia, 6000 years ago. So my hypothesis about the icons, as well for the Black Madonna's, is that they are symbols of Black Superiority in Europe. There was a black and coloured elite who did not have any use for a white Maria, a white Jesus or a white god. Maximillian of Habsburg even depicted himself as god, sitting on his throne, after or before he was crowned Holy Roman Emperor. The Black Europeans are supposed to have looked like 'Oceanic' people. I defined them as a fixed mulatto race, freely intermarrying, with some looking more African, Asian or white. But most importantly they had a black identity called Blue Blood, which derives from Black blood. Most people believe Barack Obama to have a Black identity because he married a Black woman, to have blacker off spring as well. To arrive at this piece one has to understand that Egmond Codfried’s entire postings feed into one research: Blue blood is Black blood. For this I have done many little researches and have linked all my conclusions to arrive at this simple title. This theory explains many things and show them to be connected: Why is there racism against blacks starting in the 17 and 18th century and still raging on, why we have museums full with whitened portraits, what does the Moor on portraits and heraldry symbolises but blue blood, why we have white supremacy, why we have black Madonna’s, why we have houseniggers posting and insulting away: because the oppressor always uses the oppressed themselves to keep each other in prison. [/QB][/QUOTE]
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