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And writers forgot to note a negro founded modern Serbia
"pray they find my ancestors in Russia not Africa" - Mike111.0
Mike111 Member # 9361
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quote:Originally posted by the lioness,: And writers forgot to note a negro founded modern Serbia
"pray they find my ancestors in Russia not Africa" - Mike111.0
Do you mean like this degenerate one???
Mike111 Member # 9361
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^That fact is that at this point, the only thing intelligent Blacks can know for sure, is that we are just now scratching the surface of what really happened in history, previous to the Albino takeover.
Mike111 Member # 9361
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Lamin - we haven't heard from you in a while, what is the Africans take on this?
Trollkillah # Ish Gebor Member # 18264
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quote:Originally posted by Mike111: Lamin - we haven't heard from you in a while, what is the Africans take on this?
I see some one incorporated that painting...into the Afrika kökenli Türkler history. And it does make sense.
so you think portaits of the man such as the below are complete fakes, that the man was African but the history books forgot this but they remembered Gannibal was black?
and this depicts an African ??
^^^ I can't find a reference this painting or illustration websites say BLACK GEORGE ROUSING HIS FELLOW SERBS AGAINST THE OTTOMAN EMPIRE, 1804
I'm not sure if it is the events of 1804 or painted in 1804. I think probably the former Couldn't find an artiist's name either. It looks like it may be a magazine or book illustration
(detail of picture at top of thread)
Mike111 Member # 9361
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^Lioness dear, you see this is why I have to occasionally curse your mangy Albino ass out every now and then.
Even though it is not clear, the face in the group painting in no way resembles that bullsh1t portrait at Wiki - so someone is lying.
Experience tells us that the one who looks like an Albino is the fake, because Albinos don't make fake artifacts that look Black.
Is that plain enough for you ass-hole?
DHDoxies Member # 19701
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Mike you dumbass are you blind??? Yes both paintings DO resemble each other. You just don't want to admit it because you have a need to be a European, you have a need for every important person/group of people who ever lived to be Black, you have the need to rob & do harm to White children of what is rightfully theirs all because you are ashamed of your Subsaharan African ancestors & the legacy they left you, so you want to be anything but African.
Mike111 Member # 9361
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quote:Originally posted by DHDoxies: Mike you dumbass are you blind??? Yes both paintings DO resemble each other. You just don't want to admit it because you have a need to be a European, you have a need for every important person/group of people who ever lived to be Black, you have the need to rob & do harm to White children of what is rightfully theirs all because you are ashamed of your Subsaharan African ancestors & the legacy they left you, so you want to be anything but African.
Perhaps you would care to tell us HOW, they resemble each other!
Please proceed as soon as you are able.
Non-Albinos, please watch how projection and delusion trumps reality and real perception.
Mike111 Member # 9361
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quote:Originally posted by Mike111:
quote:Originally posted by DHDoxies: Mike you dumbass are you blind??? Yes both paintings DO resemble each other. You just don't want to admit it because you have a need to be a European, you have a need for every important person/group of people who ever lived to be Black, you have the need to rob & do harm to White children of what is rightfully theirs all because you are ashamed of your Subsaharan African ancestors & the legacy they left you, so you want to be anything but African.
Perhaps you would care to tell us HOW, they resemble each other!
Please proceed as soon as you are able.
Non-Albinos, please watch how projection and delusion trumps reality and real perception.
BTW - Just one more thing Doxie, lioness:
In your delusional Haze you must realize that no REAL Albino has this coloration, or any real person in general. This painting has been darkened to match the description of George in Wiki; i.e. "Dark Complexioned".
As Doxie admitted in another thread, such a type complexion could ONLY exist in a Mulatto.
You Albinos really need to get a grip, as more and more Black people become aware of what you have done, it will only get harder.
DHDoxies Member # 19701
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First off Mike, I'm NOT a fricking Albino you stupid racist epithet spouting Black racist punk. Second all the features in both are the same. The same skin color, the same nose, same forehead, same jawline, same mustache. You are the one who is suffering from delusions & is projecting Mike all because you hate your Subsaharan African ancestors & Africa, & wish to harm White people by robbing us of what is ours. You have the desire to write White people out of history like we do not/did not exist, to paint every important person/group of people in history Black.
Mike111 Member # 9361
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Doxie dear, if you wanted to claim that George was a Mulatto, I would not argue. But you are saying that the depiction is of an Albino like yourself - that's delusional.
Mike111 Member # 9361
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VOLUME III • 2009: Black Arab as a Figure of Memory Resumes
The Black Arab in South-Slavic Epic Songs: Merely a Power-crazed Compulsive Lecher?
Gabriella Schubert
(Jena)
The Black Arab is a figure frequently represented in the heroic songs of the South Slavs. He is an antihero, an evil Muslim opponent of the Christian hero, primarily of the ideal hero Marko Kraljević, and also of the ill but honourable Dojčin (Bolen Dojčin, Bolan Dojčin). His most prominent marker is that he is a sexual monster and rapist. He requires a pretty girl for every night and even presumes to appear before the Sultan demanding that he bestow his daughter in marriage to him. Is the Black Arab only a power-crazed compulsive lecher? This question is investigated more closely on the basis of the heroic song ‘Marko Kraljević and the Arab’ (Marko Kraljević i Arapin), which is published in the second volume of the collection of Serbian songs by Vuk Karadžić under No. 65. A comparative analysis shows the historical, mythical and legendary roots of the figure of the Black Arab and of the epic song dealing with Marko Kraljević and the Black Arab. In some respects it follows the fairy-tale of the Dragon-Slayer, in others the legend of St. George. The Black Arab is a substitution for the Dragon. He represents the principles of earthly power and sexual desire. His unusual physical strength breeds fear. Marko Kraljević, on the other hand, substitutes for St. George. He is shaped in the same way as St. George: He fights for Good against Bad in this world, i.e. the violation and degradation of the Sultan’s daughter by the Black Arab. His fight bears a Christian meaning.
Comment: since historically the Serbians were part of the Slavic peoples and thus were in contact with the asmar Arabs....many of them were servants of the Arabs.
so you think portaits of the man such as the below are complete fakes, that the man was African but the history books forgot this but they remembered Gannibal was black?
and this depicts an African ??
^^^ I can't find a reference this painting or illustration websites say BLACK GEORGE ROUSING HIS FELLOW SERBS AGAINST THE OTTOMAN EMPIRE, 1804
I'm not sure if it is the events of 1804 or painted in 1804. I think probably the former Couldn't find an artiist's name either. It looks like it may be a magazine or book illustration
(detail of picture at top of thread)
Why is someone as dumb as you trying to debate? Have you now become are Serbian specialist?
Even his garb reveals his ethnic background and origin, you clown!
Serbia is on of those places from where Saqaliba and Mamluk's were taken. Go figure!
but you think he was African based on this illustration of the 1804 uprising that you have no date for when it was made no artist name for, hypocrisy and stupid
And you also assume all the other paintings of him, some made during his lifetime must therefore be totally fake ???
And to you this extremely low requirment for proof is "Black History" You call this credible scholarship ?
^^^ and this anything to do with the subject ?
ridiculous clowning
Mike111 Member # 9361
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quote:Originally posted by the lioness,: And you also assume all the other paintings of him, some made during his lifetime must therefore be totally fake ???
Please present them so that we may judge.
Trollkillah # Ish Gebor Member # 18264
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quote:Originally posted by Mike111: Doxie dear, if you wanted to claim that George was a Mulatto, I would not argue. But you are saying that the depiction is of an Albino like yourself - that's delusional.
but you think he was African based on this illustration of the 1804 uprising that you have no date for when it was made no artist name for, hypocrisy and stupid
And you also assume all the other paintings of him, some made during his lifetime must therefore be totally fake ???
And to you this extremely low requirment for proof is "Black History" You call this credible scholarship ?
^^^ and this anything to do with the subject ?
ridiculous clowning
Low IQ Appalachian, trailer park queen! Even with a long history of Mamluks and deportation of Northeast Africans into the Balkan / central Europe you still have the audacity to rant your usual euronut crap.
the lioness, Member # 17353
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these are CARs dimwitt
Trollkillah # Ish Gebor Member # 18264
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quote:Originally posted by the lioness,:
these are CARs dimwitt
I see how you are extremely slow minded. I speak of grabs you speak of cars? I mean how dumb can you get?
Central Europeans have been taken to Africa as slaves by Arabs and the Ottoman. And Northeast Africans have been taken as slaves to Central Europe. Both have been influenced by Islam as the center. The people shown in the picture, including those with the car, they are North Africans. Even the weaponry shows similar.
Why is it so terrible that an African had a leading position, in Central Europe?
As I said, people from the Balkan have been taken to Africa as slaves and Northeast African have been taken to the Balkan/ Central Europe. By the the man is that images you've posted is by far not that dark. lol
Now, Europeans are extremely dark as well, all due to situ development.
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so far you have posted ZERO research on Đorđe Petrović
Albaniian military 19c The Moving of the Serbs (Seoba Srbalja), painting by Paja Jovanović, 1896
Trollkillah # Ish Gebor Member # 18264
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quote:Originally posted by the lioness,: so far you have posted ZERO research on Đorđe Petrović
Albaniian military 19c The Moving of the Serbs (Seoba Srbalja), painting by Paja Jovanović, 1896
Balkan people were taken to North Africa and Northeast Africans to the Balkan / Central Europe. You can sit here all day ignoring this, but it is and remains a fact!
Explain how it's possible that in a tiny place such as the Balkan extremely diversity can be developed by situ?
quote: Albanian Traditional Costumes
Albanian Traditional Costumes are the traditional clothing worn by the Albanians. Like the other Balkan countries Albania, has its own branch of clothing. There are more than 200 different kinds of traditional costumes in Albania. This is due to the division the Albanian principates in Ancient Times and the Middle Ages. Almost every region in Albania has its own way of traditional dressing.
The fustanella, or Albanian kilt, was common dress for men until the 1400s. Fustanella was a significant component of traditional Greek and Albanian dress, originated in this region and the ancestors of the Arvanites - an Orthodox Christian Albanian-speaking Greek-identifying community in Greece migrated from this region to present-day Greece in the Middle Ages. Common villagers and rural people wore a fustanella made from coarse linen or wool; more affluent men wore silk. Fustanella is part of traditional Albanian, Greek and Macedonian dress, adopted by the Royal Guard of Albania (1924–1939).
When Albania was ruled by the Ottoman Empire (1468-1912), many aspects of Turkish culture were adopted by Albanians. In rural areas, men may still wear the fez, a traditional Turkish cap, and a colorful cloth belt. Women may wear embroidered blouses in the Turkish style, with loose pants /shalvaras/. A man's costume from Malesia (Malcija Vogel area) consists of close-fitting woolen trousers with black cord trim, an apron of wool with a leather belt buckled over it, and a silk jacket with long dull red sleeves with white stripes. A long sleeveless coat may be worn over the jacket along with an outer, short-sleeved jacket ( dzurdin ). The head and neck may be covered with a white cloth.
Traditional women costume of southern Albania features a blouse with wide cuffs in fabric to match an embroidered vest. A pleated petticoat is worn under a full skirt, and an elaborately embroidered apron and sash complete the outfit. Gold chains cascade from the neckline, are gathered into the sash, and are tucked into a pocket at the right side of the skirt. A kerchief covers the woman's hair.
In the north, the sleeves of the blouse are wide, with lace embroidery along the edges. Embroidery on the apron is elaborate, but distinct from the style of southern Albanian women. Gold coins are worn on a headband and on several strands of necklace that adorn the bodice (upper part) of the dress.
In cities, conservative Western-style dress is more common. Albanians are modest, however. Neither men nor women wear shorts or other revealing clothing. Traditional clothing is seen mostly at theatrical or folk dance performances in cities.
so far you have posted ZERO research on Đorđe Petrović
That's "Black George" in case you didn't know
when you can deal with the thread topic let us know
Trollkillah # Ish Gebor Member # 18264
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quote:Originally posted by the lioness,: .
.
so far you have posted ZERO research on Đorđe Petrović
That's "Black George" in case you didn't know
when you can deal with the thread topic let us know
As I have said, Northeast African have been taken to Central Europe, the Balkan. There are even genetic imprints of these markers there. These things are facts. That is what you can't deal with. So you will make up rubbish, like extremely dark skinned Europeans, not having any admixture, but are so because of situ development.
Description: Young man, believed to be a French colonial soldier, in a military camp in the Balkans during World War I. He is wearing a turban and standing in front of a directional sign that points to the "cantine" where there is drinkable water ("eau potable").
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