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[QUOTE]Originally posted by Narmerthoth: [QB] [QUOTE]Originally posted by Ish Gebor: [qb] [QUOTE]Originally posted by Narmerthoth: [qb] Ask yourself a common sense answerable question such as, how can blacks go from being supreme musicians, producers and vocalist, who play every instrument and can articulate any song to these present day dunces who can't play anything or even read music? We go from Earth, Wind and Fire, Quincy Jones, Gil Scott-Heron, Whitney Houston, Minnie Riperton and Luther Vandross, to Birdman, Lil Wayne, Jay-Z, Kanye and Beyonce in less than 20 years.[/qb] [/QUOTE]The answer to that is, funding of school instruments were boycotted late 70's. So real instruments were replaced for records and tapes, later beatboxing evolved. As drummachines and samplers became more accessible these became more popular in Hip Hop and House. So they sampled the music by the artist you've mentioned. What is happening now has little to do with that tradition of soul, funk, disco and jazz music. And there are Hip Hop producer from older generations who do know how to compose (read / write) music. It is that you aren't familiar with them. Most of the older heads have moved to making Broken-Beat music, Neo-Jazz etc., which is logic, since that is what we used to sample. Even in sampling it is important to understand root notes and progressive changes (if you take it to a higher level). https://www.youtube.com/watch?v=ar0LlyyMYrM [/qb][/QUOTE]Actually, the band you hear backing up Curtis Blow is my band, so I know much more than you think. Curtis couldn't read or write music, but he is talented for playing several instruments by ear. My best bud in NY is Larry Blackmon who is the founder of Cameo, and my other best bud is Randy Muller, founder of Brass Construction. My friend I grew up with is the brains behind Brittany Spears and Justin Timberlake and the bass and drummer for Parliament are friends I started my first band with. Listen to any Billy Holiday record and the sax you hear on them all is my uncle, Carl Frye, who taught me to play sax when I was 12. Schools not funding musical instruments is no excuse. When my son wanted to play sax, I saved up and purchased one with my own dollars. Not just any sax either, but the most expensive one. When My son said he was interested in rapping, I immediately entered him into music classes. Now that he has his degree in music and understands musical theory, he is no longer interested in rap but plays and sings classical and Jazz. Yes, rap does have everything to do with traditional black music since they steal everything from there to make rap. They aren't creating anything new, they are just taking the lazy path without putting in the real work of becoming actual musicians. Traditional musicians have to put in decades of dedication to learn their craft. Rather than putting in the work themselves, rappers just steal the work of others. They aren't rappers, but thieving DJs. But Whites/Jews tell them it's OK to do this, so they do. Jews advised them that real musicians won't be happy about them stealing their work, so Jews coined a response phrase for them to catch all criticism, the term "haters". Not a black coined phrase, but one devised by Jews and given to Negroes to use to deflect criticism. What the hell is NEO-Jazz or NEO-Soul? These are more Jew inspired terms to place even more divisions/labels. That Negroes repeat these ignorant terms shows how gullible you are. There is no New Jazz or New Soul. What's new about it? Nothing except it is inferior to that which came before them. Jews could not replicate the soul of Marvin Gaye or the Jazz of Herbie Hancock and Miles Davis, but they can easily replicate this noise called Rap or these watered down Neo-blanks. [/QB][/QUOTE]
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