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Author Topic: ot - I don't care what the neighbors say ...
rasol
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quote:
Originally posted by meninarmer:

Jazz is mostly inspired by Classical.

quote:
rasol wrote: ^ not.

Miles was trained at Juliard, but most Jazz greats were neither classically trained nor inspired.

Jazz is rooted in Blues, which is in turn rooted in African music.

Most of the founders of Jazz - from Armstrong and earlier had heard little [or no] classical music.

quote:
mn writes: I know this first hand, but seeing your are a white boy I understand your confusion.
1stly, I'm Black, of course. And you're confused.

2nd: That's kind of a dumb reply.

You claim to know that what I wrote is true, even though it directly contradicted you.

That's illogical.

It seems that your confusion results in incoherence and self-contradiction.

To simplify: Just because you're mad that you're foced to admit that i'm right, doesn't mean you can cover your embarrassment by calling me 'white'.

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xyyman
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That's what I don't get with some of you bros. If someone has opposing views then they must be white.

--------------------
Without data you are just another person with an opinion - Deming

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rasol
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^ MN, just calls someone white, whenever he feels embarrassed about having been wrong.

It's just a form of lashing out, for him.

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rasol
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quote:
For whites, the beginning of black music is always Blues. For blacks the beginning and end is Gospel.
^ This is another stupid remark.

You essentially claim that Black people have -no- music until 'Gospel'.... ie - white american christianity as interpreted by slaves in the Americas.... is the beginning of Black music? ?

Only a slave believes that.

As for the blues - here is what Miles Davis has to say:


For Miles, the blues epitomized black music.

Miles once tried to explain to the critic Leonard Feather that the blues was not about suffering and pain, emotions critics had consistently read into Miles's "cool pose": "You don't know how to play better just because you've suffered . . . The blues don't come from picking cotton." But Feather didn't get it, concluding that Miles could play the blues despite his middle-class upbringing because the black middle-class was not immune from racism. For Feather, racism was a source of the blues; for Miles the blues was a sensibility that comes from an immersion in a culture -- a cool, hip culture with as much humor as pathos.

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alTakruri
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Gospel is not the beginning and end.
Jazz, Blues, and Gospel all stem from
the Work Songs/Spirituals.

The distinctive "Blue Note" marking the Spirituals
and its immediate offspring is West African and
is an approach to match the precision of quarter
and smaller steps generally unobtainable on most
western instruments whose smallest interval is a
half step.

Stringed instruments, especially when fretless, are
one exception. This is why banjo and fiddle early on
became rank instruments in The Music.

One thing is true.
Jazz is African American Classical Music.
http://www.last.fm/music/The+Last+Poets/_/Jazzoetry
http://www.last.fm/music/The+Last+Poets/_/Bird's+Word

Many a classical trained musician would fail any of Sun Ra's "Disciplines."

Jazzoetry lyrics
quote:

Rhythms and sounds
in leaps and bounds
Scales and notes and endless quotes
Hey! Black soul being told
Hypnotizing while improvising is mentally appetizing
Off on a tangent
Ain't got a cent
Searching, soaring, exploring,
seek and you shall find
More time, more time
More time, more time
More time, more time
More time, more time
to find who? How? Where were you? Are you blue?
We're not thru digging the new
Climbing higher, soul's on fire
Seeking the top, can't stop, dig bop!
Left earth on a new birth
In space, out space, our place and face us.
Regenerated hiss complicated, vibrating, educating, stimulating
Young and old as a whole
Those who know jazz is prose
And how it goes and is going to be
Me, us, we, free
Baby cant you see
Hey! Check tt out without a doubt what it's all about then shout!
Off and on, being born
Rhythmically in a wail can't fail, smooth sail
Break it down, run it around
and give it a pound on the town in the world
dig the sound of our love inside our pride that's on the ride
Jazzoetry is poetry!
Getting hat on a scat
The beginning of this, the end of that
Riffling on a cue, the play is never through
Solid, baby! Me and you
Smooth glowin' and flowin' while your horn is blowin'
Puttin' on the show
digging some mo' black ego!
Going up, growin' up that's us
Smokin', cooking, hard boiled like a cobra-coiled
Blowing your mind to rhythmic time
Digging up driving, striving, arriving at conclusions
Life and death all in one breath!
Minor chords, soft keys, summer breeze, winter freeze, listen please!
Breakin' the rules, schooling the fools
Jazz is cool that's the truth
dig my proof rhythm and swing doing your thing
Abnormally, informally, Jazzoetry is poetry
Poetic vibes, masculine bass
Flute and drums pick up the pace
Piano keys on a spiralling flight
That's jazzoetry in black and white
Brilliant colours, glowing hues
intimate expressions, personal views
Spreadin' the news, by way of the blues
Brothers, others, lovers, mothers, sons, friends
Brothers, others, lovers,
mothers, sons, friends
Brothers, others, lovers, mothers, sons, friends
On the set − ain't none of y'all been freed yet!
Trying to pin what's happening
what you're coming from and going to
Communicating with me and you
internal feeling is spiritually healing
When I'm dealing with jazz
that has turned me on
Blow that horn!
Of course it's boss, get on your horse
And ride with pride jazz and poetry side by side!

Searching for the lyrics to the Last Poem with the roster of the greats.
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meninarmer
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quote:
Originally posted by xyyman:
That's what I don't get with some of you bros. If someone has opposing views then they must be white.

If you don't realize Rasol, KIK, Betty Boo, Hammer and you are white by now, what can I say..
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meninarmer
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quote:
Originally posted by alTakruri:
[QB] Gospel is not the beginning and end.
Jazz, Blues, and Gospel all stem from
the Work Songs/Spirituals.


LOL, "work songs/ spirituals ARE gospel.
Blues, Jazz, Soul, R&B, all spring from Gospel.
In fact, many black musicians first get the chance to pick up an instrument in church.
Aretha, Ray Charles, Miles, Lead Better, Dizzy, Marvin Gaye, Sam Cooke, Wes Montgomery, James Brown, Charley Parker, Al Green, Oscar Peterson, Little Richard, Otis Redding;

THEY ALL HAVE THEIR ROOTS IN CHURCH AND GOSPEL MUSIC.

Why do you think so many white rock bands have songs that feature black gospel choirs?
Of course Gospel has African roots. What did you expect them to have, Irish, as in AFRICA? LMAO!!!

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alTakruri
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Wrong!

Work Songs/Spirituals were composed directly from
Africa and without any Christian religious input.
Gospel grew out of the Spirituals after Christianity
was allowed to the enslaved. Thus Gospel is in part
European inspired as its beginnings are from the enslaved
versions of Protestant Church music.


quote:
Originally posted by meninarmer:
quote:
Originally posted by alTakruri:
[QB] Gospel is not the beginning and end.
Jazz, Blues, and Gospel all stem from
the Work Songs/Spirituals.


LOL, "work songs/ spirituals ARE gospel.
Blues, Jazz, Soul, R&B, all spring from Gospel.


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alTakruri
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Yes Byrd was an exception. You have to get to the
whole of what I wrote instead of breaking off one
piece and deluding yourself you have true understanding.

And your list is simplistic. But let me allow some
masters to school you.

Bird's Word lyrics
quote:
Everything was silent
and then Ma Rainey spread Black News
by way of the Backwater Blues
as Bessie Smith picked up on it
and spread the word, thru music and song,
then the message passed on
to Chick Webb, King Oliver, Buddy Bolden and Jelly Roll Morton,
and they played the word and passed it along to Louis Armstrong
Fats Navarro, Charlie Ventura, Roy Eldridge and Fats Waller,
who was known to holler
The joint is jumpin with a Fatman's joy
as everybody started Stompin' at the Savoy
Then the word grew strong, as the immortal Bird came along
and blew all the Blackness that was true
with some Be-Bop brand new
turning everybody on, with his unforgettable horn
as Lester Young became the first Prez of our race
and we turned around and dug on the beautiful face of Billie Holiday
As Billie began to sing praises to the blackman's thing,
the good Brother Monk threw in some funk
so that the whole world could see
what he is, was and always will be
A genius creatively!
Then Miles began to set new styles
that put us miles ahead,
as Dizzy set us free to be ourselves,
and ride to heaven from hell in the latest
El-Do-Ra-Do, comin' far to carry us home!
Then Dinah sang finer
As Duke and Ella rode to fame
goin' to Harlem on the A train
and we tuned into Charlie Mingus's bass
setting a soulful pace
that let us taste the down sound,
that found our hearts beating to the voice and drums
of Abbey Lincoln and Max Roach
in their hip approach to Blackness!
Then Eddie Jefferson crooned an original tune
as Lambert, Hendricks and Ross scatted a new course
and we sampled King Pleasure's treasure
and listened to James Moody's moans
and then dug the dynamite drums of Brother Philly Joe Jones!
As Milt Jackson played the vibes in leaps and strides
with the MJQ
that sped our prides into sophisticate funkiness
Meanwhile, Sonny RolIins was building a bridge,
for us to leave behind our grief
for the soulful relief
to find our own black minds
to tune in on Bud Powell
who played the piano with funky hands
as he filled the seats and made 'em stand
on funky nights down Birdland
Then the Mighty Hawk made his horn talk
and we heard Baby Ray play What'd I say
and jammed the set to dig Ornette
as Art Blakey broke free
spreadin' the message to you and me
to dig on the trumpet of KD as we broadened our range
and counted our change with Basie
As Earl Fatha Hines blew our minds
and we grew fonder of Errol Garner
as Eddie Harris bent our ear talkin' bout Listen Here
and Eric Dolphy made his stand
with a side called Ironman
and Gene Ammons told his soul
and we mined Horace's Silver
that bought funky gold
Then Oscar Brown and Joe Williams got down
and we spun around, spun around, spun around, spun around, spun around,
spun around, spun around, spun around, spun around, spun around,
spun around, spun around, spun around, spun around
and dug Clifford Brown,
Wowin' a sweet funky sound of soul
with a rhythm of gold


and along, and along, and along, and along, and along, and along, and along,
and along, and along, and along, and along, and along, and along,
and along, and along, and along, and along
came 'Trane!
Who blew away all the pain, all the pain, all the pain, all the pain, all the pain,
all the pain, all the pain, all the pain, all the pain, all the pain
in the name of all the Black People on the Planet Earth,
and all the stars in the cosmic universe!
As Brother 'Trane blew to the East
to destroy the beast
and bring back Peace to Black People!
And everybody heard the majestic word of 'Trane's horn,
telling us of A Love Supreme for Black People,

that grew strong, and on, and on, and on, and on, and on, and on,
and on, and on, and on, and on, and on, and on, and on, and on,
and on, and on, and on, and on, and on, and on, and on,
from the soul, from the heart
from the spirit, from the brain
from the love of Brother John Coltrane!



Then Jimmy Smith got funky with it
and preached a sermon not to Walk on the Wild Side
but ride with Wes Montgomery
who played his best everyday in our life
as Shirley Scott's organ got hot
and she and Stanley set more funk free!
as Ahmad Jamal played with renewed ability
to give our minds some Tranquility
so that we could listen to an in-soul depth
Brother Archie Shepp
as Jackie McLean broke on the scene
blowing mean and harder
for everybody to listen to Betty Carter
as Sun Ra shined
and Cannonball's horn whined
Mercy! Mercy! Mercy!
So Sonny Stitt started piping it
and we couldn't get enough of brother Jack McDuff
as Freddie Hubbard began to bud
and we heard from Donald Byrd
and they'll be no others like the Ayler Brothers
Then Wayne Shorter grew taller
and our ship left dock with Herbie Hancock
as we rolled with Lee Morgan
and Grooved on Richard Holmes' organ
and then dug the soul of Art Tatum
produce the sound that made him
as Rufus Harley blew an old new type bagpipe
that put the pants back on the man
an' Nina Simone groaned Mississippi Goddamn!
and Brother McCoy gave us peace and joy
as Elvin bought our freedom Jones down on us!
Then Charles Lloyd filled the void
an' we watched Roland Kirk work!
and with a sigh of relief listened to Yusef Lateef
blow in a flow of flurry's of peace from the east
as Pharaoh Sanders floated down the Nile with Brother Leon Thomas
to herald the promise of peace and happiness throughout the land!
All praises due to the Creator of the
Blackman!
Blackman!

quote:
Originally posted by meninarmer:
quote:
Originally posted by alTakruri:
[QB] Donald Byrd was the one who successfully took it
to the public ear even though he played with the
heavies (Blakey, Roach, Coltrane, Dolphy). He's
the proof you can know your music theory, be a
virtuoso, stay true to 'the music' yet and still
be not only palateable to the public but have them
dancing as well and take home money to bank after work.


Byrd was no exception in this area. Many of the great Jazz artist were very well schooled in music theory, since Jazz is mostly inspired by Classical [sic].
Great composers like Hubert Laws, Pharaoh Sanders, Oscar Peterson, Sun Ra, Charley Parker, Dizzy Gillespie, Miles, Nina Simon, and the great Duke Ellington were all heavy theorists and knew their craft through and through.


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meninarmer
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quote:
Originally posted by alTakruri:
Wrong!

Work Songs/Spirituals were composed directly from
Africa and without any Christian religious input.
Gospel grew out of the Spirituals after Christianity
was allowed to the enslaved. Thus Gospel is in part
European inspired as its beginnings are from the enslaved
versions of Protestant Church music.


quote:
Originally posted by meninarmer:
quote:
Originally posted by alTakruri:
[QB] Gospel is not the beginning and end.
Jazz, Blues, and Gospel all stem from
the Work Songs/Spirituals.


LOL, "work songs/ spirituals ARE gospel.
Blues, Jazz, Soul, R&B, all spring from Gospel.


Of course when slaves first arrived they remembered their African songs.
Blues was nowhere around during this interval.
Blues didn't arrive until it sprang out of AMERICAN Negro spirituals which were a result of AMERICAN Negro oppression and a false hope in an European God, Jesus.

I realize it sounds more romantic to take the position Blues sprang directly from African spirituals, but it is inaccurate.
Blues sprang from the Negro American experience via church spirituals and GOSPEL.

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meninarmer
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quote:
Originally posted by alTakruri:
[QB] Yes Byrd was an exception. You have to get to the
whole of what I wrote instead of breaking off one
piece and deluding yourself you have true understanding.

And you list is simplistic. But let me allow some
masters to school you.


I fully understand.
I believe it's you who is having difficulty in believe Donald Byrd was the first or only Jazz musician who possessed a grasp of music theory.
Your quoting Bird lyrics does not validate this statement.
It is an failing attempt to simplify the reality of black musical genius. Weak!
What about Duke Ellington. Was he not fully versed in theory?
What about the only true innovators of guitar playing; Charlie Christian and Wes Montgomery with their use of substitute and relative notes for the harmonic ones.
Were they too devoid of musical theory? You talk about Hendrix, Page, and Clapton, but they couldn't hold Wes's jockstrap.

As Miles Davis appropriately said;

"I've changed music four or five times. What have you done of any importance other than be white?
"If somebody told me I only had an hour to live, I'd spend it choking a white man. I'd do it nice and slow."
"“We’re not going to play the blues anymore. Let the white folks play the blues. They got ‘em, so they can keep ‘em.”
“At least one day out of the year all musicians should just put their instruments down, and give thanks to Duke Ellington.”

“Jazz is the big brother of Revolution. Revolution follows it around.”

And THIS is Blues and Jazz.

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alTakruri
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Wrong!

I schooled you as to where the Blue Note and
Blues came from go back and reread. Blues from
the Work Songs. The Blue Note from West African
micro-steps.

And for the ast time stop confusing Spirituals for Gospel.

Now give a big hyena laugh out loud at that.


quote:
Originally posted by meninarmer:
quote:
Originally posted by alTakruri:
Wrong!

Work Songs/Spirituals were composed directly from
Africa and without any Christian religious input.
Gospel grew out of the Spirituals after Christianity
was allowed to the enslaved. Thus Gospel is in part
European inspired as its beginnings are from the enslaved
versions of Protestant Church music.


quote:
Originally posted by meninarmer:
quote:
Originally posted by alTakruri:
[QB] Gospel is not the beginning and end.
Jazz, Blues, and Gospel all stem from
the Work Songs/Spirituals.


LOL, "work songs/ spirituals ARE gospel.
Blues, Jazz, Soul, R&B, all spring from Gospel.


Of course when slaves first arrived they remembered their African songs.
Blues was nowhere around during this interval.
Blues didn't arrive until it sprang out of AMERICAN Negro spirituals which were a result of AMERICAN Negro oppression and a false hope in an European God, Jesus.

I realize it sounds more romantic to take the position Blues sprang directly from African spirituals, but it is inaccurate.
Blues sprang from the Negro American experience via church spirituals and GOSPEL.


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alTakruri
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Pay attention. Even after cluing you you still fail
to grasp the entirety.

It's your foolish contention that Donald was the
first or only to be trained in music theory.

I said and I quote
1 - Donald Byrd was the one who successfully took it to the public ear

2 - even though he played with the heavies (Blakey, Roach, Coltrane, Dolphy).

3 - He's the proof you can
_ a - know your music theory,
_ b - be a virtuoso,
_ c - stay true to 'the music'

4 - yet and still
_ a - be not only palateable to the public
_ b - but have them dancing as well
_ c - and take home money to bank after work.

5 - Truly, The Professor!


I broke it down quit trying to run it around
If you didn't know you should of asked somebody
but then If you got to ask the question you ain't
never going to understand the answer.

quote:
Originally posted by meninarmer:
quote:
Originally posted by alTakruri:
[QB] Yes Byrd was an exception. You have to get to the
whole of what I wrote instead of breaking off one
piece and deluding yourself you have true understanding.

And you list is simplistic. But let me allow some
masters to school you.


I fully understand.
I believe it's you who is having difficulty in believe Donald Byrd was the first or only Jazz musician who possessed a grasp of music theory.


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meninarmer
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quote:
Originally posted by alTakruri:
[QB] Wrong!

I schooled you as to where the Blue Note and Blues came from go back and reread. Blues from
the Work Songs. The Blue Note from West African
micro-steps.

And for the ast time stop confusing Spirituals for Gospel.

Now give a big hyena laugh out loud at that.


LMBAO....You ain't schooled **** except in your own little mind!!
Too much Mick Jagger on your little mind.
Why is it that Jews think they really know black music? Perhaps because they stole so much of it over the centuries.
Whites hate to speak about black gospel because they cannot identify with it. They can only ID with blues, but as Miles Davis said, "We ain't playing the blues no mo! Whites love em, so they can have em!"

Go back to listening to your high pitched simplistic Led and Ozzy Osborn crap. You know nothing of black music, and as with other whites/Jews, nothing of Negro Gospel.

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alTakruri
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Ass spanked baby now makes racist cries.
Get to this. I'm blacker than you, boy.
I'm African. You're a de-Africanized hybrid.

quote:
Originally posted by me no narmer:


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meninarmer
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quote:
Originally posted by alTakruri:

I said and I quote
1 - Donald Byrd was the one who successfully took it
to the public ear

2 - even though he played with the
heavies (Blakey, Roach, Coltrane, Dolphy).

3 - He's
the proof you can
_ a - know your music theory,
_ b - be a virtuoso,
_ c - stay true to 'the music'

4 - yet and still
_ a - be not only palateable to the public
_ b - but have them dancing as well
_ c - and take home money to bank after work.

5 - Truly, The Professor!


I broke it down quit trying to run it around
If you didn't know you should of asked somebody
but then If you got to ask the question you ain't
never going to understand the answer.


An of course you are WRONG on all counts.
Donald Byrd was NOT the first to accomplish these things. Nor even the one hundredth.

You be talking out of the side of your neck cause these white boys don't know any better. Stick to talking about White rock. You'll be safer and I won't scrutinize that.

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meninarmer
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quote:
Originally posted by alTakruri:
Ass spanked baby now makes racist cries.
Get to this. I'm blacker than you, boy.
I'm African. You're a de-Africanized hybrid.

quote:
Originally posted by me no narmer:


An African Jew that knows nothing about BLACK AMERICAN art forms.

We be de-Africanized hybrids, YET all you can speak of is what WE create. What you FULL Africans creating; Gospel, Blues, Jazz, R&B, Funk, Rap? LMAO!!! More like nada!

Nope you just steeped in jealousy of what US de-Africanized hybrids create. You dancing to OUR timing just like the other whites and Jews.

Go listen to your Deep Purple and Rolling Stones Boy. That's more in line with your limited level of creativity skills.
When you get tired of that, than you can come back and learn some more about what us de-Africanized hybrids create and you and the rest of the world follow.

As Miles Davis appropriately said;

"I've changed music four or five times. What have you done of any importance other than be white?

"If somebody told me I only had an hour to live, I'd spend it choking a white man. I'd do it nice and slow."

LOL, why do you think Miles and many other Jazz musicians felt this way about whites and supposedly African coconuts like yourself love them so much?

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alTakruri
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 -  -  -  -  -  -  -  -

Aw, don't be mad (just 'cos this small sample of
what I know far surpasses what you'll ever come
to know) Man up, boy, you've been punked you
would-be racist bastard, oops, I meant buzzard.
I got nothing against you. Those of your ilk, both
black and white biased bigotted prejudiced racist
imbeciles, stew in your own loser sauce. Yes you,
loser. You lost your humanity in unsuccessfully
attempting to mirror white racists.

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meninarmer
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Oh, I'm hardly mad. I'm right.
It's you who have the pent up Jealousy of what De-Africanized Negroes accomplished and YOU cannot.
"Punked"? Where did that phrase originate? Oh yeah, from De-Africanized Negroes. I guess there is absolutely no escaping our influence, is there? LOL!

You've been exposed once again as the coconut that you are.
Get used to it. It will very probably happen again.
Now, go listen to some Guns & Roses and calm your weak ass down. LMAO

Racists? LOL coconut, I'm with Miles.
"If somebody told me I only had an hour to live, I'd spend it choking a white man. I'd do it nice and slow."

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alTakruri
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You can never laugh your ass off.
If you did there'd be nothing left
since you are all ass  -  -  -  -  -
and passing gas!!!!!!!!!!!!!!!!!!!!

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meninarmer
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Asses are a BLACK thing coconut.
We have them, we shake them, and will kick them.
Flat asses are for you white peoples with poor bone structure.
But you are right. I can't literally laugh my ass off, but I can laugh loudly at your expense, weak ass coconut.

I can laugh my ass off at weak ass coconuts like yourself who can only hope to poorly imitate what WE de-africanized negros in America create.

Drop the jealousy and hate coconut. We don't imitate you, and You can't dress like me. Else, there'd be thousands of Africans flooding America creating and releasing new Art forms. It ain't happening Soulja Boy, but don't blame us de-Africanized Negroes for your lack of creativity.

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alTakruri
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You farted it, ass, you finish it, the hate that is.
As soon as you were shown up you came up out your
hate bag. But that's what you black or white racist
scum do. It's your catharsis for being a punked ass loser.

Calling yourself a negro? Do you really believe
you are a black thing? Listen to me for once
w/o your insipid rivalry complex -- YOU ARE A
HUMAN BEING NOT A THING (you are an African
descendant not a saleable commodity, please,
for the sake of the remainder of what little
mental health you retain, please read )Richard
B. Moore
's The Name negro: its Origin and Evil Use.

The only thing you can do at my expense is flaut your ignorance, ass.

And, I still remain blacker than you, ass!

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meninarmer
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Negro, Smigmo.
I've read the book a ways back and many like it.

The label is irrelevant and a waste of time that only a weak ass kaffir like yourself gives power.
While you worrying about what you or others call yourselves, we be redefining the world with our attributes. YOU? You be FOLLOWING, in every area.
There you go YET again, quoting a publication from a DE-AFRICANIZED author using slang created by DE-AFRICANIZED Black Americans.
LOL, where's your full African contribution?

Perhaps if Africans spent less time on trivia and trinkets, they too could create trend setting standards as we do instead of coming to America and HIDING out in small non-productive tribes.

Blacker than I. LOL, you don't even know what it means coconut. Blacker perhaps, than the masters you serve.

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alTakruri
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Kaffir?

Coconut?

Not even close, keep trying.

If you were a saleable black thing
then all I could get for you is a trinket
not even a shot of rum or a round of ammunition.

Keep laughing out loud like the scared of the dark punk u r.

Or barring that, make pretend you're civilized and
return to discussing The Music. I doubt you can pull
yourself together enough to do that Sa Sa Sa Sambo.

Not really into the sibling (or in your particular
case) cousin rivalry but you don't have a nation of
your own so can't really compare what you claim to
produce
with something like say the Nigerian space program.

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meninarmer
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quote:
Originally posted by alTakruri:
[QB]

If you were a saleable black thing
then all I could get for you is a trinket
not even a shot of rum or a round of ammunition.


I know, exactly as your ancestors did to their own detriment. Depleting Africa of the strongest and smartest, leaving only the weak and followers not even worth a trinket.
Such is life coconut.

True, we don't have a nation of our own. Black Americans often ask one another;
Why do Africans come to America when they have all of Africa? We came here by being betrayed and kidnapped. Yet they come here to be slaves willingly.
Why don't they throw whites out and get their thing together? They are many while whites are few.

Apparently, they are the weak left behind and not able to accomplish these things and too envious of those they betrayed to form a working strategic alliance.
Yet, they come here to American and HIDE amongst themselves, and not sharing the African American experience, are not able to duplicate Arts in the same manner as DE-Africanized black Americans.

I cannot be afraid of the dark. I AM THE DARK. THE STRONGEST OF THE DARK!
WE are the elements who FOUGHT the white invasion, while YOUR kind are the ones who ASSISTED the whites in their invasion of Africa. You are still there because you were the weakest. That is your legacy.

Lastly, African Americans have already been to space decades ago. African Americans designed and built satellites such as the Space Shuttle Tracking And Relay satellite 20 years ago through Johns Hopkins Applied Physics Lab.
The Nigerian Space Program is a sham, and a complete waste of resources.

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akoben
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Notice how Great Jew gets really offended when his "Jewness" is being attacked? He loses all his Jimmy Hendrix "cool". **** with his "Jewness" and its no more Mr. Nice guy cool, it's different Jew I tell ya. lol
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meninarmer
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^ He's simply a weak minded coconut fool who envies the monumental achievements of his Physical and Psychological superiors, African Americans.

He labels us De-Africanized, yet calls out OUR music (Gospel, Blues, Jazz), literature (DuBois, Garvey, Martin), prose (Last Poets, Hughes), and attributes in a mixture of envy and hate while failing to comprehend or acknowledge the blatantly obvious contradictions from his coconut mind, to his coconut lips.

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alTakruri
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Who me? I'm so Cool (music link).
Got any comments on The Music?


quote:
Originally posted by ass open:
Notice how Great Jew gets really offended when his "Jewness" is being attacked? He loses all his Jimmy Hendrix "cool". **** with his "Jewness" and its no more Mr. Nice guy cool, it's different Jew I tell ya. lol


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alTakruri
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While you are a living piece of s h i t
grossly inferior to the wet ones I use
to wipe you off my ass nor superior to
the toilet I flush you down and away.

You are de-Africanized without a doubt.

However a certain set of the Middle Passage
descendants strive to re-Africanize themselves.
They are my siblings. S h i t s like you aren't
even my cousins. You have the mentality of the
ones who raped my great-grand cousins and nieces
to produce wanna be racist like daddy s h i t s
of your breed.

Of course that's too much for a kooky cookie
cutter mentalitied s h i t like you to comprehend.

But think on it when you light your Kwanzaa candles.
Once you internalize the Nguzo Saba you will be on
your way from being a pathetic black thing to becoming
an African American human being.

Any more comments on The Music Mr. S h i t?


quote:
Originally posted by me no narmer:
^ He's simply a weak minded coconut fool who envies the monumental achievements of his Physical and Psychological superiors, African Americans.

He labels us De-Africanized, yet calls out OUR music (Gospel, Blues, Jazz), literature (DuBois, Garvey, Martin), prose (Last Poets, Hughes), and attributes in a mixture of envy and hate while failing to comprehend or acknowledge the blatantly obvious contradictions from his coconut mind, to his coconut lips.


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rasol
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quote:
Originally posted by meninarmer:
quote:
Originally posted by xyyman:
That's what I don't get with some of you bros. If someone has opposing views then they must be white.

If you don't realize Rasol, KIK, Betty Boo, Hammer and you are white by now, what can I say..
I'm Black, not white.

Like Marc Washington, you attack the ethnicity of anyone who calls you out for the fool that you are.

quote:
alTakruri writes: MN, you are de-Africanized without a doubt.
^ Frankly, this is the common denominator linking MN to Marc, Mike111 and Winters. In their confusion, and lack of genuine respect for Africa - they substitute feign pro-black, 'afrocentric' and EMPTY posturings.

ie - You don't agree with them - so you must be a jew, and therefore not black. [Razz]

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alTakruri
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I think Mikey self-admitted to being non-black.

--------------------
Intellectual property of YYT al~Takruri © 2004 - 2017. All rights reserved.

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ArtistFormerlyKnownAsHeru
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quote:
Originally posted by alTakruri:
Who me? I'm so Cool (music link).


This is a JAM. [Cool]
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xyyman
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Now I am white! Jeeze! Betty Boo and Hammer. Yeah. KIK not sure. Maybe a confused half breed.
quote:
Originally posted by meninarmer:
quote:
Originally posted by xyyman:
That's what I don't get with some of you bros. If someone has opposing views then they must be white.

If you don't realize Rasol, KIK, Betty Boo, Hammer and you are white by now, what can I say..

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AGÜEYBANÁ II (Mind718)
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quote:
quote:
alTakruri writes: MN, you are de-Africanized without a doubt.
^ Frankly, this is the common denominator linking MN to Marc, Mike111 and Winters.
It's pretty funny because other than Winters being from Chicago, the rest live in Europe. Figure that....


Not to mention Marcs wife. [Confused]

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xyyman
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Hey Mike looks like the G-men are getting there eyes Clawed out.

--------------------
Without data you are just another person with an opinion - Deming

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ArtistFormerlyKnownAsHeru
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quote:
Originally posted by meninarmer:
^ He's simply a weak minded coconut fool who envies the monumental achievements of his Physical and Psychological superiors, African Americans.

Hey bruv, we don't envy the achievements of African Americans. To the contrary, we are proud of, cherish and celebrate the achievements of OUR PEOPLE in the Americas.

No need to beef no more man. We're just trying to put our house in order. [Cool]

http://www.imeem.com/people/OPduJx/music/gUXt4Tr4/gigi_utopia/

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rasol
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^ agreed.
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alTakruri
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It's only telling the truth and it's all about
ME. Hahah! Yehssss! I'm just so cool. Truth is,
everybody knows, just ain't nobody bad like me.
(Unlessen it's YOU.)

quote:
Originally posted by Herukhuti:
quote:
Originally posted by alTakruri:
Who me? I'm so Cool (music link).


This is a JAM. [Cool]

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akoben
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Great Jew, can't hear anything sorry. But damn great Jew why you have to go dissing Kwanza now? Come on [Roll Eyes]
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alTakruri
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Uh huh thass what we talkin' 'bout.
But remember every brutha ain't a brother
Everything black just ain't black
Uh huh and that's a fact.

quote:
Originally posted by Herukhuti:
quote:
Originally posted by meninarmer:
^ He's simply a weak minded coconut fool who envies the monumental achievements of his Physical and Psychological superiors, African Americans.

Hey bruv, we don't envy the achievements of African Americans. To the contrary, we are proud of, cherish and celebrate the achievements of OUR PEOPLE in the Americas.

No need to beef no more man. We're just trying to put our house in order. [Cool]

http://www.imeem.com/people/OPduJx/music/gUXt4Tr4/gigi_utopia/


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alTakruri
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What are you, dumb as well as deaf? I've been boosting
Kwanza on both sides of the Atlantic even to Native
Americans for decades you super silly son of a ...

You need to imbue the Nguzo Saba even more than
He No Narmer do, you demagogic dog, you.  -

quote:
Originally posted by ass open:
Great Jew, can't hear anything sorry. But damn great Jew why you have to go dissing Kwanza now? Come on [Roll Eyes]


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meninarmer
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quote:
Originally posted by alTakruri:
While you are a living piece of s h i t
grossly inferior to the wet ones I use
to wipe you off my ass nor superior to
the toilet I flush you down and away.

You are de-Africanized without a doubt.

However a certain set of the Middle Passage
descendants strive to re-Africanize themselves.
They are my siblings. S h i t s like you aren't
even my cousins. You have the mentality of the
ones who raped my great-grand cousins and nieces
to produce wanna be racist like daddy s h i t s
of your breed.

Of course that's too much for a kooky cookie
cutter mentalitied s h i t like you to comprehend.

But think on it when you light your Kwanzaa candles.
Once you internalize the Nguzo Saba you will be on
your way from being a pathetic black thing to becoming
an African American human being.

Any more comments on The Music Mr. S h i t?


quote:
Originally posted by me no narmer:
^ He's simply a weak minded coconut fool who envies the monumental achievements of his Physical and Psychological superiors, African Americans.

He labels us De-Africanized, yet calls out OUR music (Gospel, Blues, Jazz), literature (DuBois, Garvey, Martin), prose (Last Poets, Hughes), and attributes in a mixture of envy and hate while failing to comprehend or acknowledge the blatantly obvious contradictions from his coconut mind, to his coconut lips.


HA!
So, you brainless weakling seek to pick and choose through African Americans that fit your limited and compromised acceptance?
LOL, we ain't claiming your weak snitching ass..
You contribute nothing, but a thinly veiled attempt to put a connection between our achievements and that which you have absolutely no connection to. There is obvious reason why you wish to eliminate Gospel and jump straight from African spiritual to Blues, BUT IT AIN'T So. You have as little connection to these innovative constructs as do the Rolling Stones.
We ain't claiming no African Jew snitches, so stop trying to claim OUR stuff fool! Ain't no happenings.

Go play with someone who doesn't understand you represent the weakest of the weak, and were not worthy of snatching boy. This is whu you have never built anything of note, and never will.
LOL, even today you are little more then a white Jew minion.
Tell me.
What contribution have black Jews made to American society? For that matter, how are you changing Africa?
I'll tell you. NADA! Cause you are weak!
Don't get mad at me because you and yours have nothing significant to show for your existence. forcing you to grab my nuts and pray for a connection. LOL, get off my nuts fool!

Now you wish to draw a line between your weak, worthless ass and what you have the nerve to call, De-Africanized African American achievements.
You weak ass pussy! LOL

Go tell your Jewish master that shet and maybe he'll pat you on your traitorous Jew head.
In the meantime, keep referencing the work of us De-Africanized Africans to prove your weak points over and over again, cause you have no built shet!
Dam coconut.

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meninarmer
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quote:
Originally posted by alTakruri:
What are you, dumb as well as deaf? I've been boosting
Kwanza on both sides of the Atlantic even to Native
Americans for decades you super silly son of a ...

You need to imbue the Nguzo Saba even more than
He No Narmer do, you demagogic dog, you.  -

[QUOTE]Originally posted by ass open:
[qb] Great Jew, can't hear anything sorry. But damn great Jew why you have to go dissing Kwanza now? Come on [Roll Eyes]

Phoney Jews know sheet about Kwanzaa, you weak ass fool.
Your dumb ass need to worry about leaving a empty seat open during Passover Mr. Weakling. You sure no nothing about the 1st day of Kwanzaa. Plus why would an African Jew like yourself care anything about a black holiday created by De-Africanized Negros, ya weak ass snitch.

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xyyman
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What is meant by this? Hope it is not what I think. Ease up bro pull yourself together. You are losing it.


quote:
Originally posted by meninarmer:
[QUOTE]Go play with someone who doesn't understand you represent the weakest of the weak, and were not worthy of snatching boy. ------This is whu you have never built anything of note, and never will.------


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meninarmer
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^ No I'm not.
Phony ass Black Jews like sissy Al have never built anything of note and have to resort to using the accomplishments of us De-Africanized African Americans to make false claims that he and his kind created something of importance.

The one thing all black musicians have in common is, at one or multiple times in their careers, they have all been swindled or cheated by thieving Jews whose goal, like Sissy Al's, is to claim and control everything we create.
Al and his klan are weak and create nothing.
It ain't happening Al. Stop trying to ride on African American accomplishments and go back to listening to your Al Jolson.

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Whatbox
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quote:
Originally posted by Knowledgeiskey718:
quote:
quote:
alTakruri writes: MN, you are de-Africanized without a doubt.
^ Frankly, this is the common denominator linking MN to Marc, Mike111 and Winters.
It's pretty funny because other than Winters being from Chicago, the rest live in Europe. Figure that....


Not to mention Marcs wife. [Confused]

IMO focusing on location or spouse is as bad as focusing on labels like "afrocentrism" (Marc, Clyde, me no, impoben08, etc all feign it ..).

Kemi Seba's from Europe.

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akoben
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quote:
Originally posted by alTakruri:
you demagogic dog, you.

Demagogic.... [Roll Eyes] ... now where have I heard you with this tag before? Oh yeh, when real Africansits offended your sensibilities and you reacted in predicative fashion. Black Demagogues and Pseudo-Scholars

quote:
originally posted by alive-boy: weee pooo zip zip poooo pooo poo arg arg arg
Hey Alive-boy are you done with mmmkay yet, the bar will soon close and I want my lap dance.
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meninarmer
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quote:
Originally posted by akoben:
quote:
Originally posted by alTakruri:
[qb] you demagogic dog, you.

Demagogic.... [Roll Eyes] ... now where have I heard you with this tag before? Oh yeh, when real Africansits offended your sensibilities and you reacted in predicative fashion. Black Demagogues and Pseudo-Scholars


Yes, the weakest of the weak, and smallest of the small has a lot of nerve calling on the works and scholarship of us De-Africanized AAs to prop himself up to undeserved elevated highs.
A deceitful art to be sure.

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meninarmer
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1754 - First Clock made entirely in AMerica constructed by Benjamin Banneker, a 30 year old Negro who had never seen a clock before.
It continued to run accurately, striking all hours regularly for the next 20 years.

1877 - In New York, the team of Harrison and Hart wrote a number called, "Walking For Dat Cake".
The Cakewalk soon became a feature of all minstrel shows and later developed into RAGTIME music.

1909 - W.C. Handy writes and publishes first Blues song to be marketed for mass consumption.

The song, "Memphis Blues" was originally written as a campaign song for E.H. Crump for the municipal election and entitled, Mister Crump.

Posts: 3595 | From: Moved To Mars. Waiting with shotgun | Registered: Dec 2006  |  IP: Logged | Report this post to a Moderator
AGÜEYBANÁ II (Mind718)
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quote:
Originally posted by Alive-(What Box):
quote:
Originally posted by Knowledgeiskey718:
quote:
quote:
alTakruri writes: MN, you are de-Africanized without a doubt.
^ Frankly, this is the common denominator linking MN to Marc, Mike111 and Winters.
It's pretty funny because other than Winters being from Chicago, the rest live in Europe. Figure that....


Not to mention Marcs wife. [Confused]

IMO focusing on location or spouse is as bad as focusing on labels like "afrocentrism" (Marc, Clyde, me no, impoben08, etc all feign it ..).

Kemi Seba's from Europe.

You completely missed the point, which was that the above mentioned who speak so vehemently against Europeans are ones living in Europe, and married to white women to top it off. Go figure.......
Posts: 6572 | From: N.Y.C....Capital of the World | Registered: Jun 2008  |  IP: Logged | Report this post to a Moderator
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